Kari and Maureen

Canadian actress. The village in which she was born, Spalding Saskatchewan Matchett began her career in theater when she moved to Ontario. The early nineties were when she made her debut on Canadian television. After that, she relocated to America and appeared on The Secrets of Nero Wolfe Invasion Studio 60 on Sunset Strip Ambulance Earth. In the series, she played Last Conflict . The actress was awarded the Gemini Award, in 2001, for her role as the Canadian TV show The Department of Wet Cases. She also played the wife of one of the main characters of the series for several seasons. Impact. She's been playing Joan Campbell since 2010 in the TV show Covert Operations. Cube 2 was a Canadian feature film from 2002. Hypercube, and was also on screen in Angel Eyes, Boys with Broomsticks and The Tree of Life . Divorced. Her first child was a son, named Jude Lyon Matchett was born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. Her beautiful beauty, stunning red locks, and her passionate portrayals of courageous heroines helped make her a household name in 1920. She was a powerful actress and a confident lady. Whether it was her being rescued by Charles Laughton in The Hunchback of Notre Dame (1939), falling in love in the blackened sky of Walter Pidgeon in How Green Was My Valley (How Green Was My Valley, 1941) or learning about the miracle of life in the form of Natalie Wood in Miracle on 34th Street (Miracle on 34th Street, 1947) or battling wits with John Wayne in The Quiet Man (The Quiet Man, 1952) Maureen O'Hara: The Queen of Technicolor is one of the few book-length biographies of this screen legend. Aubrey Malone traces the life of the screen legend from Dublin which is where she grew up, to Hollywood's heights. He draws information from Irish Film Institute production notes on films, and also from old magazines and newspapers. Malone analyzes her relationship with frequent co-star John Wayne and her relationship with director John Ford and he addresses the much-discussed issue about whether the screen goddess could be considered a feminist, or an antifeminist figure. Though she was an icon of the golden age of cinema, O'Hara's penchant for privacy and tendency to make public declarations in opposition to her personal values make her an unpopular figure. The groundbreaking biography provides readers a glimpse into who is behind the imposing picture. It dispels the myths, allowing for an unfiltered view of one of Hollywood's greatest icons.